A recent trip to California meant I was fortunate enough to go to Yosemite, one of the most stunning places in the world and if (like me) you are a fan of landscape photography then its a veritable mecca. I tried to do justice to one of the most famous landscape photographers who have gone before me, Ansel Adams. For this shot it was all split really, between what was going on above the water and what as going on in the reflections. I shot this image as two separate exposures and spliced them together. The water itself was quite murky so the exposure would have naturally been darker so by doing a few brackets I got the right exposure for the image. Whenever I try and shoot a landscape I try and make it as three dimensional as possible, for black and white images this is done by trying to build up the tonality of the image. Like the master printers gone before me, you dodge and burn areas to enhance the image and for me this shot was no different. I worked on the lighter and darker areas till i was satisfied the print was enhanced to the point where it was visually more impressive yet didn’t have a overly worked feel to it. Hope you like the results..
This was a shoot for a new Client, they wanted to convey the sense of freedom associated with new software that meant large volumes of ring binders could be a thing of the past as it was all accessible on the iPad. The ideas was a simple one, to convey this visually in still life format as well as a shot with a “model” posing with it (model1b). The light for this was relatively straight forward, a soft light at the front and a couple of heads to clean up the background to free up shadows. The still life (Image1a), was just a little flash to clean up the front and a soft light at the back to balance the light from the front and back. The screen was included in the background so the client could drop in a screen shot onto the iPad as well as the TV to convey the usability of the product.