The second day of my album cover shoot was about getting a more relaxed feel to the images. As the singer I was shooting is predominantly a blues singer, I thought we would try and recreate an American run down Mid-West type feel…(if that makes sense). The difficulty came with trying to find somewhere that looked like the Mid-West… on the south coast of England. Eventually we found just the place, Newhaven Train Yard, a wonderful location with broken down wooden railway carriages, long wispy grass and haylofts (or so we tried to make them look). I wanted the images very moody and atmospheric but also quite relaxed and not too forced.
Image 1 was at the start of the day and we got a really nice look going on straight off the bat. I actually had a flash head off to the right which was also where the sun was coming up from. I wanted to work with the sun but slightly overpower it so the shadows would darken down around him and the daylight was not too strong against the carriage.
In post I wanted the images more contrasty, so before the images were processed I upped the contrast slightly. In post, I highlighted just the singer’s face and again added more contrast to bring it out and make it punchier.
I wanted a slight reference to the music, but not make it so obvious and forced, which you see a lot in music magazines (the obligatory guitar glued to the chest), having it down by his side and slightly obscured by the grass was a more subtle choice and something you don’t pick up straight away).
The second shot we used was a stripped down version, no suit jacket, just a nice white shirt, I wanted it more relaxed and contemplative, a caught moment as opposed to a staged shot (which of course it was). This was shot using just daylight, the sun was behind the “hay loft” so it meant there was plenty of ambient light around and it was quite soft too which was important for the image.
The post work was much the same as it was above, more contrast to the image as a whole and then I selected just the face and added more contrast to it. I also wanted to bring out the stubble slightly so I dodged the white bristles and burned the black ones, a similar trick I use for my landscapes. Overall, I was very pleased with them and more importantly so was my client….(which is really the only thing that matters in photography!).