Portrait Shoot of Marco pierre White

I was asked to shoot some portraits of Marco Pierre White for an editorial feature of his newly revamped restaurant and hotel called The Rudloe arms Just outside Bath. It is a gorgeous Hotel with stunning interiors (and if you love good photography, it has an amazing array of photos taken by the likes of Bob Carlos Clarke and Terry O’Niel). The portraits themselves were left up to me in regards to how i wanted to light them. I wanted low key portraits to fit the image of Marco which is Moody (he could not have been nicer as it turned out). The First portrait i shot was with two heads, one shooting down lighting the staircase with a large trolley and the other was a gridded softbox  above camera. I tried to balance the light so it was even from front to back. (Image 1)

 

Marco Pierre White - Image 1

Marco sat the Rudloe Arms

Th Other Image was a much darker image, just spotted with a snoot with a gridded dish for the back to lift him slightly off the background.

 

Marco Pierre White - Image 2

Image 2

Please feel free to leave comments and feedback. Enjoy!

Shoot at a craft brewery

I have a long running project about craft food/drinks producers that i am working on constantly and after having shot various drinks makers (vodka distillers in Brooklyn, NYC and a champagne makers in Hampshire) i wanted to shoot a brewery and Bath has a fantastic one called The Electric Bear, which has one countless awards already for its ale. I love backlighting subjects anyway so this gave me a chance to do just that. I knew there would be lots of steam/smoke from the various tanks so backlighting it would add more drama. I wanted to capture the whole process from initial brewing to distribution. A lot of the shots were shot wide open to add more flare with a fair bit being retouched to remove branding and lighting stands! I had the luxury of attaching lights to an overhead mezzanine to increase the general light levels and override any tungsten that was floating around, this made my job a lot easier and was almost like shooting in daylight apart from working with my main key light which was the backlight.It was a good chance to try out my new canon 5DSr in a testing environment, lots of steam and heat basically. It worked and performed really well and the quality of the final images were amazing. I have included a few images here and more can be seen through my agency (image source). If you have any questions then feel free to ask .

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