Recent Landscape Work

So I know I have not written too many posts regarding my landscape work but here is a swift update as to what and where i have been shooting. (with a few examples). I’ve recently updated some of my filters to incorporate more Lee filters, specifically the medium grad ND set as well as the Super stopper (which cuts out 15 stops of light without casing undue colour shifts). Ive been to Wales, Yorkshire, Mallorca and Cornwall lately and my kit has obviously travelled with me. below is a few examples of recent work, more can be seen on my website which is always being updated. Amongst one of the recent changes is is a link to buy my prints, which i am happy to say is going well. I won’t give you the sales pitch, so if you would like a print of mine that isn’t on the list, then email me ( ) the image you like and i will add it in and you can purchase it, sisal after 2-3 business days. Link to print section is here ( print sales )

Anyway, back to the matter in hand. Attached are some recent images, more can be seen here ( Landscapes )

Image 1: Sennen at Sunset.

This was shot on the clips overlooking Sennen Cove. The heather was in full bloom and literally covered the cliffs with a rich, deep purple colour which lit up with the warmth of the setting sun behind it. I used my Lee Hard Grad 0.9 ND here, to bring back the sky.


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Image 2: Pembrokeshire estuary at sunset.

I spent a week on the Pembrokeshire coast in October of this year. the weather was shocking, but a few nights the clouds cleared and i was able to get out and take some landscapes. This was taken on the Atlantic Ocean estuary, a very peaceful and remote part of Pembrokeshire. Again, i used a 0.9 Hard grad ND filter from Lee Filters to balance sky and horizon.

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Image 3. Malham Cove.MalhamCove3LRWB copy.jpg

A very popular location for landscape work. This Yorkshire landmark is stunning so you can see why photographers flock there. It was a relatively stormy day which added a lot of interest to the sky. I used my 0.6 Hard Grad ND for the sky here to darken it slightly to add more mood to the shot. In all these images I used my canon 5Dsr and my Zeiss f2.8 21mm Distagon Lens, which is really my go-to lens for landscape work (wide angle use anyway). it really is a beautifully shape lens. Looking at getting the wider version soon, 18mm I believe.


Please visit my site if you have time and leave comments, always appreciated. Thanks for looking!

Tower Bridge and the Shard building, London

I was shooting for a client a few months ago and wanted to capture the new Shard building as well as Tower Bridge. I knew I would need my tripod (I never take a landscape without a tripod) and possibly a few Graduated ND filters. I wanted the lights of the city to come on so I had to wait…..

An hour and a half later, the lights came on, it got a lot colder and i was just at the right moment where the blue of the sky was dark enough that it would still come through after a long exposure. I wanted the Thames to turn to mist and the lights of the cars to streak over the bridge. It turned out to be about a 2 minute exposure, which i think worked fine.I Also used a ND8 filter to cut the light down.

It was also one of those rare images for me that did not require hardly any post work to it. Usually I prefer to capture it all in camera, that goes for my portrait work too, photographers have become too reliant on CS5 and forgotten that you can (with enough knowledge and patience) get it right in camera. Not sure what I will do this image yet, one for the wall and possibly one for my agency, hope you like it!

Sorry for the copyright writing.. hope it doesn’t detract from the image..Tower Bridge and the Shard

Landscapes for St Katharine’s Dock

A regular client of mine asked me to get involved on the photography side of things for the recently bought St Katharine’s Dock which sits hidden in the shadow of Tower bridge and a near stones throw from the new Shard building as well as other iconic buildings like the Gherkin. It is a real hidden gem of a place as it really feels tucked out of the way from the hustle of London. The task was to shoot landscapes of the dock at various times of the day, but preferably when the sun was shining and the sky was at its bluest, nobody likes a dreary grey London!

One of the biggest challenges with shooting buildings and water together is often that the reflections are at least 2 stops darker than the buildings being reflected… This throws up a few problems and a number of subsequent solutions can be utilised..

1. You can either bracket your images, taking the best above ground exposure and the best below ground exposure and marrying then up, this can be tricky as it means a lot of post production and sometimes just not feasible if there isn’t a clean horizon line which, in my case there wasn’t.


2. You can use Graduated ND (Neutral Density) filters. This for me was the best solution, it meant i could darken down the top half  and make it look both natural and it would all be done in camera (the less post the better, the problem with digital photography compared to film is over reliance on Photoshop).

This was how i proceeded with the landscapes, using a variety of grades of filter (ND Grad 0.6 and a ND Grad 0.3 and sometimes a combination of the two) a camera cloth to throw over the camera to assess exposures, which can be tricky in bright sunlight, a firm tripod and a cable release).

Below is one of the images… enjoy.St Katharine's Dock Landscape ecample