Portrait Shoot of Marco pierre White

I was asked to shoot some portraits of Marco Pierre White for an editorial feature of his newly revamped restaurant and hotel called The Rudloe arms Just outside Bath. It is a gorgeous Hotel with stunning interiors (and if you love good photography, it has an amazing array of photos taken by the likes of Bob Carlos Clarke and Terry O’Niel). The portraits themselves were left up to me in regards to how i wanted to light them. I wanted low key portraits to fit the image of Marco which is Moody (he could not have been nicer as it turned out). The First portrait i shot was with two heads, one shooting down lighting the staircase with a large trolley and the other was a gridded softbox  above camera. I tried to balance the light so it was even from front to back. (Image 1)

 

Marco Pierre White - Image 1

Marco sat the Rudloe Arms

Th Other Image was a much darker image, just spotted with a snoot with a gridded dish for the back to lift him slightly off the background.

 

Marco Pierre White - Image 2

Image 2

Please feel free to leave comments and feedback. Enjoy!

Portrait of Journalist Liz Hoggard

I was commissioned to shoot Liz Hoggard who is a journalist. It was to coincide with a feature she was writing on relationships (specifically the one between her partner chris and her friends and Liz). The article was to illustrate the differences between her and her partner and the fact that being a journalist involves being on your phone and attending parties quite a lot, as opposed to her partner chris who doesn’t drink and prefers an early night. I interpreted this visually with the use of props (cocktails on one side, green tea on the other etc…)

I wanted to create as much drama in the lighting as possible yet still give it a clean feel. I used a gridded softbox at the front and positioned it above camera. As there was quite a bit of depth to the image I needed o throw some lighting into the background. I used a head with a orange gel for the background shot (to give a bit of warmth to the bar behind). But the real tweaks came in post. I underexposed the image itself to make sure there was detail across the full range then upped the contrast quite considerable and desaturated the shot. I think it worked really well and gave a depth and texture to the image

 

Portrait of Liz and Chris Hoggard

Portrait of Liz and Chris Hoggard

Family Run Food and Drinks Business Portraits – Session 1

I have started a project in coordination with my agency Image Source to produce a series of portraits of family run and owned business’s who produce food and drinks. This could be Ice cream makers, Cheese producers, or even (as in this instance) Champagne makers. The emphasis is on well made products that have not been tampered with and are made with love! The first of my projects was a Champagne maker called Cottonworth, who are based in Hampshire. The owner was one of two brothers called Hugh. He is young, knowledgable about Fizz production and passionate about what he does. He made an ideal candidate for the project. As he was my first subject (more to follow, so watch this space..)

I have decided to shoot two types of shots and keep them consistent. The first is on a black background with a gridded softbox from the side and a gridded spot at the back to give a key light to lift them from the background a bit. I want the portraits natural in every way, i want the clothes as they are, no grooming with the focus on strong lighting and simplicity. Attached is the Black background shot (image 1)

Hugh Liddell - Cottonworth Champagne and Vineyard

Hugh Liddell – Cottonworth Champagne and Vineyard

The other images  were shot using the location as a backdrop, therefore showing the working environment in the background to give a sense of ownership, See image 2 and 3 below.

Hugh Liddell - Cottonworth Champagne and Vineyard

Hugh Liddell – Cottonworth Champagne and Vineyard

Hugh Liddell - Cottonworth Champagne and Vineyard

Hugh Liddell – Cottonworth Champagne and Vineyard

The Last two images were shot in the Golden hour, I wanted the tips of the vines illuminated with warm light and hugh to be softly lit. I used a small of fill light with my profoto from camera left just to give a small trace of detail on his right side.

Hope you like them!